Filming is half the job. Editing is the other half, and it's where good footage becomes great content. The difference between a creator who posts raw clips and one who posts polished videos is editing skill, and that skill is completely learnable.
This course gives you two tools: DaVinci Resolve for professional-grade editing (free), and CapCut for fast mobile edits. You'll learn the full editing workflow from import to export, master pacing and storytelling decisions, and learn to export optimized files for every major platform.
DaVinci Resolve is a professional editing, color grading, and audio post-production application. The free version has everything you need. Hollywood films have been edited and color graded in Resolve. You're getting industry-standard tools for $0.
Installation and Setup
Download DaVinci Resolve (not Resolve Studio, the paid version) from Blackmagic Design's website. It runs on Windows, Mac, and Linux. System requirements:
- Minimum: 8GB RAM, integrated graphics, SSD recommended
- Comfortable: 16GB RAM, dedicated GPU (NVIDIA or AMD), SSD for media files
- If your computer struggles: Use proxy editing (Resolve creates smaller versions of your files for smooth editing, then uses the originals for export)
The Interface: Five Pages
Resolve is organized into pages, each handling a different stage of post-production. You'll mainly use three:
- Media page: Where you import footage. Drag and drop files, or navigate to your folders. Organize clips into bins (folders). Get in the habit of organizing before you start cutting.
- Edit page: Where you do the actual editing. This is where you'll spend 80% of your time. Timeline at the bottom, preview monitors at the top, media pool on the left.
- Color page: Where you color correct and color grade. We'll cover basics here, not the full depth (that's a later course).
- Fairlight page: Audio post-production. Useful for adjusting audio levels, adding music, basic audio cleanup.
- Deliver page: Where you export your finished video. Format, resolution, codec settings all live here.
Step-by-Step: Your First Edit
- Create a new project. Open Resolve, click "New Project." Name it something descriptive. Set your timeline resolution (1920x1080 for HD, 3840x2160 for 4K) in Project Settings.
- Import footage. Go to the Media page. Navigate to your footage folder. Drag clips into the Media Pool. Resolve doesn't move your files; it references them where they are.
- Create a timeline. Switch to the Edit page. Drag your first clip to the timeline area. Resolve creates a timeline automatically. Or right-click in the Media Pool and select "Create New Timeline" with custom settings.
- Arrange your clips. Drag clips from the Media Pool to the timeline. Place them in the order you want. The basic keyboard shortcuts you need: B for blade (cut), A for selection, Space for play/pause, J-K-L for reverse-pause-forward playback.
- Make cuts. Position the playhead where you want to cut. Press B to activate the blade tool, click on the clip. Or use keyboard shortcut Ctrl+B (Cmd+B on Mac) to cut at the playhead without switching tools.
- Delete the bad parts. Select unwanted sections and press Delete (removes and leaves a gap) or Backspace (removes and closes the gap, called a "ripple delete").
- Add transitions. Right-click between two clips, select "Add Transition." Cross dissolve is the default and most versatile. Drag the transition edges to adjust duration. Avoid fancy transitions; they almost always look amateur.
Basic Color Correction
Switch to the Color page. The basics that fix 90% of color issues:
- White balance: Use the eyedropper tool on something that should be white (a wall, a shirt). This corrects color casts from mixed lighting.
- Exposure: Use the Lift/Gamma/Gain wheels. Lift adjusts shadows, Gamma adjusts midtones, Gain adjusts highlights. Small moves. You're correcting, not creating a movie look.
- Saturation: Bump it up slightly (10-15%) to make colors pop, or pull it back if the image looks over-saturated.
- Copy grades: Once you get one clip looking right, right-click it and "Copy" the grade. Select other clips, right-click, "Paste." This keeps your whole video consistent.
Export
Switch to the Deliver page. Select a preset (YouTube, Vimeo, etc.) or set custom settings. For most content:
- Format: MP4
- Codec: H.264 (universal compatibility) or H.265 (better quality at smaller file sizes, but slower to encode)
- Resolution: Match your project (1080p or 4K)
- Frame rate: Match your source footage (usually 24, 30, or 60fps)
- Bitrate: 10-20 Mbps for 1080p, 35-50 Mbps for 4K (higher = better quality, larger file)
Click "Add to Render Queue," then "Render All." Wait. Don't touch anything until it's done.
๐จ Exercise 1.1: DaVinci Resolve First Edit
Take raw footage (from FILM-201 exercises or any footage you have) and complete a full edit in DaVinci Resolve:
- Import footage and organize into bins
- Create a timeline and arrange clips in a logical order
- Make at least 10 cuts (removing mistakes, tightening pacing)
- Apply basic color correction to all clips
- Export as MP4/H.264 at 1080p
Deliverable: A polished 2-minute video exported from DaVinci Resolve. It doesn't need to be perfect. It needs to be finished.
๐ก Key Takeaway
DaVinci Resolve is intimidating at first because it's genuinely powerful. You don't need to learn all of it. Media page, Edit page, Color page basics, and Deliver page. That's your workflow. Everything else is a bonus you'll pick up over time.
DaVinci Resolve is your power tool. CapCut is your pocket knife. It's free, it runs on your phone, and it can produce surprisingly polished edits in a fraction of the time. Use it when speed matters more than precision.
When to Use CapCut vs. Resolve
- Use CapCut when: You need a quick social media clip (under 60 seconds), you're editing on the go, you want to use trending templates/effects, you're repurposing existing content for Stories/Reels/TikTok, or when the content is time-sensitive and "good enough fast" beats "perfect later."
- Use Resolve when: The video is longer than 2-3 minutes, you need precise color work, you're syncing external audio, you need multi-track editing, or the final product needs to look professional (website, paid content, YouTube).
CapCut Core Features
The features that matter most for content creators:
- Auto captions: CapCut's speech-to-text generates captions automatically. They're surprisingly accurate. You can edit the text, change fonts and styles, and adjust timing. Captions boost engagement on every platform because most social media is watched with sound off.
- Templates: Pre-built editing templates where you drop in your clips and CapCut handles transitions, timing, and effects. Great for trend-based content. Search by style or by what's trending on TikTok.
- Speed ramping: Changing the speed of clips for dramatic effect. Slow-mo a key moment, speed up a boring transition. CapCut makes this dead simple with curve-based speed controls.
- Background removal: AI-powered background removal works on video (not just photos). Useful for green-screen-style effects without a green screen.
- Music library: Built-in royalty-free music. Search by mood, genre, or length. Adding music to short-form content makes a massive difference in engagement.
The CapCut Workflow
- Import your clip(s). Tap the + button. Select from your camera roll. CapCut imports fast.
- Trim the fat. Drag the handles on either end of the clip to remove dead space at the start and end. Split clips by positioning the playhead and tapping the split button.
- Add captions. Tap "Text" then "Auto captions." Select your language. Wait for processing. Review and fix any errors.
- Add music. Tap "Audio" then "Sounds." Browse or search. Drag the music track to align with your clip. Adjust volume so music doesn't overpower your voice.
- Apply effects (sparingly). Filters, transitions, and effects are fun but easy to overdo. One consistent filter across the whole video looks professional. Five different effects in 30 seconds looks chaotic.
- Export. Tap the export button (top right). Select 1080p resolution and 30fps. Export directly to your camera roll, or share straight to TikTok/Instagram.
CapCut Pro Tips
- Use keyframes for text animation. Tap a text element, tap "Animation," and choose entrance/exit effects. Text that slides in looks more polished than text that just appears.
- Layer audio tracks. Voice on one track, music on another, sound effects on a third. You have full control over the mix.
- The 3-second rule. For short-form content, your first 3 seconds determine whether someone keeps watching. Start with your most interesting moment, not an intro.
- Export settings for each platform: 9:16 aspect ratio for TikTok, Reels, and Stories. 1:1 for Instagram feed posts. 16:9 for YouTube. CapCut lets you change aspect ratio without re-editing.
๐จ Exercise 2.1: CapCut Speed Edit
Create a 30-second social media clip in CapCut:
- Import 1-3 clips from your camera roll
- Trim to 30 seconds or less
- Add auto-captions and fix any errors
- Add background music from the CapCut library
- Apply one filter consistently across all clips
- Export in 9:16 (vertical) for TikTok/Reels
Time yourself. The goal is to complete this edit in under 15 minutes.
Deliverable: A 30-second vertical video with captions and music, plus your completion time.
๐ก Key Takeaway
CapCut is not a lesser tool. It's a different tool for a different job. Short-form content doesn't need the power of Resolve. It needs speed, captions, and platform-native formatting. Master both tools and use whichever fits the task.
Professional editors don't just sit down and start cutting. They follow a workflow that moves from rough to refined. This prevents wasted effort (spending 30 minutes perfecting a section you end up cutting entirely) and ensures consistency.
Step 1: Rough Cut
The rough cut is about structure, not polish. Your only goal is getting the right clips in the right order with the right approximate timing.
- Import all footage and watch it through once, marking the best takes or moments
- Drag clips to the timeline in narrative order
- Make broad cuts: remove obvious mistakes, long pauses, false starts, and dead air
- Don't worry about transitions, color, or audio yet
- The rough cut will be too long. That's expected. You'll tighten it in the next pass.
Watch your rough cut from start to finish without stopping. Does the story flow? Does the order make sense? If you need to rearrange sections, now is the time.
Step 2: Fine Cut
The fine cut is where you tighten everything. Frame by frame if needed.
- Trim the gaps. Find every unnecessary pause, "um," "uh," and breath between sentences. Cut them. This is what makes videos feel snappy and professional.
- Tighten the heads and tails. Most clips have wasted frames at the start and end. Trim clips so they start at the first useful frame and end at the last useful frame.
- Check continuity. If you're intercutting between angles, make sure gestures, positions, and expressions match across the cut.
- Insert B-roll. Drop B-roll footage over sections where you're speaking but the visual is boring or where you need to hide a cut.
- Watch it again. The fine cut should be at or near your target length. If it's still too long, cut entire sections, not just frames.
Step 3: Audio Sync and Cleanup
If you recorded audio separately (external mic, separate recorder), now is when you sync it:
- Visual sync: Find the clap point (from the clap you did at the start of each take). Align the audio spike with the visual clap. Mute the camera's built-in audio once synced.
- Auto-sync: DaVinci Resolve has an auto-sync feature (right-click clips, "Auto Sync Audio"). It works well when the camera's scratch audio is clean enough for the algorithm to match.
- Level your audio. All speaking should be at a consistent volume. In Resolve, use the Fairlight page: normalize your audio to -3dB peak, or use the Limiter effect to prevent clipping.
- Add music. Import music to a separate audio track. Keep it well below your voice level (usually -18dB to -24dB under dialogue). Duck the music during speech (lower it automatically when you're talking) using Resolve's sidechain compression or manual keyframes.
Step 4: Color Correction
Do color after your edit is locked (no more cuts). Color correcting footage you might delete is wasted time.
- Correct white balance and exposure on all clips (see Module 1)
- Match clips from different angles so they look consistent
- Apply a subtle color grade if desired (warm, cool, high-contrast, etc.)
- Copy your grade across all clips for consistency
Step 5: Export Settings for Each Platform
Every platform has different optimal settings. Here's your cheat sheet:
- YouTube: 1080p or 4K, H.264, 16:9 aspect ratio, 15-50 Mbps bitrate, 24/30/60fps. YouTube re-encodes everything, so upload the highest quality you can.
- Instagram Reels/Stories: 1080x1920 (9:16 vertical), H.264, under 30 seconds for Stories, under 90 seconds for Reels. Keep file size under 100MB.
- TikTok: 1080x1920 (9:16), H.264, up to 10 minutes but sweet spot is 30-90 seconds. Upload natively (not via link) for best quality.
- Twitter/X: 1280x720 minimum, H.264, under 512MB, 2:20 max length. Twitter compresses aggressively, so upload at the highest quality allowed.
- NiteFlirt goodies (video): MP4, H.264, keep file sizes reasonable for download. 1080p is plenty.
๐จ Exercise 3.1: Full Workflow Edit
Take a set of raw footage and work through the complete editing workflow:
- Watch all footage and mark the best takes
- Create a rough cut (structure and order only)
- Refine to a fine cut (trim gaps, tighten pacing, add B-roll)
- Sync external audio (if applicable) and level all audio
- Apply color correction
- Export three versions: one for YouTube (16:9), one for Instagram (9:16), and one for TikTok (9:16, under 60 seconds)
Deliverable: Three exported files from the same project, each optimized for its platform.
๐ก Key Takeaway
The workflow exists so you don't waste effort. Rough cut first (get the structure right), fine cut second (get the timing right), audio third, color fourth, export last. Every professional editor follows this order for a reason.
Knowing how to use editing software is mechanics. Knowing when to cut is art. This module is about developing your editorial instinct: the ability to feel when a clip has run too long, when a transition needs to breathe, and when music should hit.
When to Cut
Every cut should have a reason. The most common reasons:
- New information. When you introduce a new idea, concept, or topic, cut to a new angle or B-roll. It signals "something new is happening" to the viewer's brain.
- Emphasis. Cut to a closer shot when you want to emphasize a point. The tighter framing subconsciously signals importance.
- Energy maintenance. If you've been on the same shot for more than 10-15 seconds, cut to something else. Even if the content is good, static visuals lose attention.
- Hiding mistakes. Stumbled on a word? Cut to B-roll, deliver the line cleanly in voiceover or from a different angle. Nobody knows.
- Rhythm. Fast cuts during high-energy sections. Longer holds during thoughtful or emotional moments. The edit should breathe with the content.
When to Hold
Not every moment needs a cut. Holding on a shot creates specific effects:
- Emotional weight. A reaction shot that holds for 2-3 seconds longer than expected lets the emotion land. Cutting away too quickly undermines it.
- Tension. In storytelling, a long hold builds suspense. The audience starts to wonder "why aren't we cutting away?" and leans in.
- Establishing shots. When you show a new location or environment, hold for 3-5 seconds so the viewer can absorb the space before you cut to the action.
- Authenticity. Over-edited content can feel manic. Strategic long takes signal confidence and let the viewer connect with you as a person, not just a production.
Music Timing
Music transforms the emotional impact of a video. The key principles:
- Cut on the beat. When your visual cuts align with musical beats, the whole video feels more intentional and rhythmic. You don't need to hit every beat, but major cuts should land on strong beats.
- Music enters early, exits late. Start your music a few seconds before the visuals it accompanies, and let it fade out after the visual section ends. Abrupt music starts and stops feel jarring.
- Match energy, not genre. The music's energy should match the energy of the content. An upbeat tutorial needs upbeat music. A reflective piece needs something calmer. Genre matters less than energy and tempo.
- The drop. If your music has a build-up and a drop, align the drop with your biggest reveal, your punchline, or the most visually dynamic moment. This creates an emotional peak that viewers remember.
- Volume ducking. When you're speaking, music goes to background level (around -18 to -24dB). When you stop speaking, let the music come up. This push-pull keeps the audio dynamic.
Jump Cuts vs. Transitions
Two schools of thought:
- Jump cuts: Hard cuts from one moment to another within the same shot. Made famous by YouTube. They feel energetic, casual, and modern. Use them when your content is conversational, fast-paced, or personality-driven. Most solo creator content benefits from jump cuts.
- Transitions: Cross-dissolves, wipes, fades, and other effects between clips. They feel smoother, more cinematic, and more deliberate. Use them when transitioning between scenes (not within a scene), for establishing shot sequences, or when you want a calmer, more polished feel.
The common mistake: using transitions to cover bad edits. If two clips don't flow well together, a cross-dissolve won't fix that. It will just make the problem take longer. Fix the underlying edit, then decide if a transition adds value.
The best edits are invisible. If the audience notices your editing, you're doing too much. If they're engaged in the content and never think about the cuts, you've done it right.
๐จ Exercise 4.1: Storytelling Edit
Re-edit the video from Exercise 3.1 (or edit new footage) with deliberate attention to pacing and storytelling:
- Choose a music track and align at least 3 cuts to the beat
- Include at least one intentional long hold (3+ seconds on one shot)
- Use jump cuts in your talking-head sections for energy
- Use a transition (dissolve or fade) between distinct sections
- Implement volume ducking: music up when you're not speaking, music down when you are
Watch the result with fresh eyes (take a break first, then come back to it). Note where the pacing feels right and where it drags or rushes.
Deliverable: A polished video demonstrating conscious pacing decisions, plus written notes on what you changed from your first edit and why.
๐ก Course Complete
You now have two editing tools (Resolve for power, CapCut for speed), a professional workflow (rough cut through export), and the beginnings of editorial instinct (when to cut, when to hold, how to use music). These skills improve every single video you make from here forward. Editing is where most solo creators have the biggest quality gap, and you've just closed it. Next up: EDIT-301, where you'll learn advanced effects, motion graphics, and templates that turn good videos into scroll-stopping content.